My feeling is that the DCS2 preview issue is a "bug" (over sight). This is a very valuable workflow that Adobe must repair or risk angering many thousands of users. However the biggest issue remains, even with a proxy preview the "Separation Preview" feature still does not work in 2018. Version 2017 would display changes to spot colors in the preview which is very helpful when working with a "white"spot color. At least it brings back a static preview of us to place an image and incorporate other elements, but it is only a "static" image meaning it is no longer built from the actual DCS2 separations that were "live". The low res Proxy preview pref is certainly a relief "for now". Should I still pay $50 a month for my CC account? I already own the CS6. I am literally going to revert to CS6 until this is resolved. This is a major headache for me and all screen printers who print full color and illustrative non-vetor art. The screen printing industry needs Adobe Illustrator to support and preview DCS 2.0 files as they have in the past. If Adobe thinks the Direct to Garment printer (which uses CMYK) is the replacement for traditional screen printing then Adobe is dead wrong. The need is not going away for DCS 2.0 files. #3 Screen printers that print on fabric cannot use CMYK due to the need for an under base. #2 We use DCS 2.0 files to color separate photorealistic images and other non-vector illustrations. Screen printers and their production arts have not stopped using DCS 2.0 Photoshop files for color separation. I hope this advice and these options help you have a more productive workday. You’d simply trust what your color separation software produced which is not a terrible stretch if you use Spot Process Separation Studio with its RGB VueRite technology.įinally, your third option is to simply stay with Illustrator 2017 continuing to enjoy the workflow we all got used to until Adobe delivers a better solution. :)Īnother option is use the Proxy Preview feature to have a preview with your standard DCS2.eps file with no separation preview feature. With practice you will discipline yourself until Adobe repairs the new issue. Don't fall asleep at the wheel or you will freak when you produce 4 extra CMYK films. It's a trade off, but great value is delivered. The downside is that the preview now introduces CMYK colors thinking the user wants to print the preview as well because it is no longer a preview built from the imported (PLACED) DCS2 separations. Super great is that these formats also support transparency in Illustrator during layout. This brings back the preview with or without the Proxy Preview pref on (good), delivers a quality "live" preview that will display edits to spot colors when converting white colors to color so they can be seen during preview (good), and makes the Separation Preview feature work again (great). We can bring back all the abilities they took from us with the 2018 update by re-saving a DCS2 file in either an RGB or CMYK mode "with" spot color channels as a PSD or PDF. There is a workaround to Adobe's issue however it does take some extra attention by the end user. This is one benefit to using the psd technique that you don't get from Placing an. you might not need to drag each channel to it's own layer, but I like to keep clean files and to be able to turn channels off and on with layers. Add registration marks and any "do not print" elements on top layer. Select each channel separately and color with their appropriate swatch.ġ5. When all of the channels are on their own layer, delete the original layer.ġ2. Do that to all of the other channels in order.ġ0. To get each channel onto it's own layer: drag channel one down past the last channel and drop it. The channel layers are sublayers on a single layer. Delete the CMYK image layer, keeping each channel layer intact.ĩ. Open Photoshop document in Illustrator, keeping all the elements as layers (do not flat)Ĩ. eps and drag over to new document artboard.ħ. Put both windows side by side (drag out of main bar)ĥ. All of this is in the new document dialogue.Ĥ. eps file, plus transparency as the background. Create new CMYK Photoshop document to pixel dimenions and Dpi of. Write down exact pixel dimensions and DPI (usually 300)ģ. eps in Photoshop (if you're a screenprinter, likely from SepStudio)Ģ. This is what worked for me, using advice from Amyl64558718 lower on the thread.ġ.
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